nice price deal !!! meteorythm recordings is back with a new file, mf002 geometry of the mind ep by imprint’s co-founder, clearvision. to start, the a side about uncertainty (and unity)’ leaves you doubtful, in a disoriented feeling of expectation. perfect to start your set or a personal journey inward, this ambient track allows you to create your own thinking pattern about what will follow. the a2 ‘geometry of the mind,’ an atmospheric and melancholic track, conveys clearvision’s thought processes by playing with floating pads on deep bass frequencies. on the b side, ‘wave function’ is the logical continuation of the two last tracks, concentrating on rhythm in order to be more focused on the body than the mind. to conclude, the berlin based duet arcarsenal followed suit, evolving ‘wave function to another level of groove by adding a beautiful percussions harmony to a perfectly rearranged production. after developing their musical personality on imprints such as underground quality, finest hour, rue de plaisance, finale session and of course their own bass cadet records, the duo perfectly found how to combine their own style with the space atmosphere that surrounds meteorythm.

the italian producer hydergine continues his deep sea journey with the tenth tiefenrausch release. on this ep gather three outstanding dub techno producers with their individual sound. the floating hydergine sound meets the different approaches by frank hellmond and don williams. the dancefloor oriented tune „dissolved“ gives the direction for the ep while „shamanic healing“ shows the introspective side of this gathering. with his remix don williams comes straight to the point and delivers consistent techno without compromises. frank hellmond gives a whole different face of dub techno with a soft and harmonic lead. audiomaster by salz music, pressed on 180gr vinyl, shrink wrapped and all covered up by the artwork of alex ketzer and the imagery from jules vernes „20.000 leagues under the sea“. supported by dustin zahn, luke hess, dax j, grad_u, philippe petit, plural, jamie mccue, vincent neumann, echo inspectors, mareena, hiver, arnaud le texier and many more...

this album contains four tracks, based on visceral techno oriented dance floor, with knowledge about analog synthesizers, fm synthesis, and 909 processed drums. strained ambiences and uptight drones in the air floating with the true essence followed by the most percussive factors, make this work a purist symbol of techno. a tribute to the evolution dedicated to recreating the universe with his art.

this up and coming producer is already a legend amongst the crew of techno freaks in brooklyn. with previous releases on local imprint lovers rock, and releases slated for proibito and exotic dance under the the aliases dj python and dj xanax, dj wey aka brian pinyero has contributed a massive 12” to bank records. the a side “song for masahiro” is dedicated to masahiro ueda, a dj and friend who graced the bk scene by way of japan. it’s a bass heavy tune with melodic pads floating in the forefront amongst the occasional cheering sample. it s perfect for either opening or closing a set midsummer. in contrast, the b side opens with “flow on.” with its distorted kicks, relentless claps and hypnotic bells one could imagine hearing it on a nightmarish carnival ride...fit that into a set. the record ends on an electro tip with spaced out pads, backwards samples and classic electro style drum patterns. distinct in sound and diverse in approach, don t sleep on the homie dj wey.

nice price deal !!! magic pop hotel invites you on a luminous voyage through the vegetal dreamscape of >flowers<, the first single from the album. floating somewhere between pop and trip-hop, magic pop hotel reaches through mysterious atmospheres and creeping climates, spinning with freedom. on this record, the poetic universe of magic pop hotel is explored by the artists the micronauts, junesex, and betsyapolis. each remix takes hold of the nebulous center of the song and extends it in a different direction. with the micronauts remix, christophe monier pours his neo-80s space disco honey all over the dance floor. an intoxicating sound serum that will have bees swarming to the club for eternal youth. the junesex remix draws on the trip hop inspiration of magic pop hotel to grow heavy dub blossoms through the cracks in the concrete. the vibrations dig deep into the most fertile emotions. the betsyapolis remix plucks a sweet, ripe fruit and spins it fresh and juicy, playing with the airy pop goodness of >flowers<

nice price deal !!! strut are proud to present the debut album by arthurs landing, a broad collective of musicians that worked with new yorks revered arthur russell at different times during his career, from his more reflective acoustic work (world of echo) to his disco projects (loose joints, dinosaur l). led by guitarist steven hall, the band comprises a core of six members with floating guests joining for specific recordings and live shows. the collective also work together on side projects which will become part of the arthurs landing umbrella, including steven hall & joyce bowdens recent memory acoustic duo.

resopal presents debut release from china s matador of techno, mickey zhang. the bejing based producer is a multi-tasker responsible for countless projects and productions. his dj craftsmanship has been widely demonstrated in asia - he already played boiler room bejing as well as the best clubs in asia. on the root ep he presents three reduced techno tracks.

with rolling and tumbling bass and sharp rhythms, floating among etherial waves of synthesiser, 240283 takes us to abstract worlds ruled by the melancholy of machines.

“the troika s horse” by the the anti - austerity activists (george k, lucretio, js and grienkho)is a set of haughty chants and marches of freedom coming from the southern suburbs of the union for the weary dance floors of the old continents.&#8232,,,,,,

better known as kemback, geoff wright is a bristol based producer, selector, composer, violinist, teacher, and waiter whose music is rooted in house and techno but often treads into the weird and wonderful worlds of jazz, soul, folk, and blues. while his gritty drums and shuffling grooves bear the hallmark of the city he now calls home, the melodic sensibility of his emotive strings and distant glimmering synths harks back to the tree-lined footpaths of the tiny scottish village from which he takes his name. his debut release in 2014, on bristol mainstay futureboogie, received widespread support from djs as diverse as skream, mosca, and nemone. more recently his effort as part of alfresco disco s acclaimed maximum joy series, titled awaken , has been likened to the music of artists including floating points and leon vynehall. good night & for you today, the two tracks on kemback s omena debut, showcase a high level of production skill. to complete the package the always excellent auntie flo (aka brian d souza) & omena label boss tooli take turns in remixing good night.

nice price deal !!! deep floating melodic techhouse biggies incl great summering tigerskin remix!

new interplanetary melodies is a series of phonographic editions committed to free experimental music: it tells about vibes floating over time and space, hybrid energies through harmonies and contrasts, concrete forces and metaphysical resonances, earthly and otherworldly origins of inspiration, organic feelings and abstract dreams, ancestral echoes and futuristic outlooks, sonic symbolism painting sceneries in human spirits, a ritual meaning of creating and relishing music ...
the sound radiation can take to other possible dimensions, to most recondite places of mind and soul, or very far away across stellar directions.
how the sound impressed on analogue substance in past times is able to render vibes from the future is well explained by the instinctive recordings of mayo soulomon in this first issue of new interplanetary melodies.

floating house incl matt karmil remix

resopal presents the sonic love-child of vienna based producer disabnormal. floating on a lazy groove, the title track sounds like the haze of being in love. sexy and deep and interlaced with an acidic bassline. space bedouin is muddier and full of eerie, echoing keys and disembodied vocals -- while hiccup drives again with dry snares and acidic elements.these tracks have a deep dynamic, all produced with a remarkable flow and energy.

floating astronomical objects and the void in between – jon hester enters the dystopian circle with four gravity manipulating techno tracks coming directly through the wormhole. jon hester got his start in the midwest us, living in chicago, minneapolis, and connecting with detroit. after years on the dance floor he took to the decks, going on to work in a record shop, host his own events, and hold residencies that developed his sound. music production and a move to berlin followed, but dancing and mixing are still the inspirations that drive him to create. his dj sets are built on physical rhythms and adventurous programming, effortlessly combining diverse varieties of techno and house. with an engaging presence and a knack for telling a story, he builds a unique connection with each audience, and works any room until it sweats.

acronym goes onto further explorations into the mind with four cuts of psychedelic, weirdo techno and floating deepness ending in the abyss.

aqueous, enormous, timeous with waiting alpine, senking offers ous two deep water metabolisms. he cuts through slowly shifting masses with his unique resonance testing and precisely stacked sound waves, making underwater mountain ranges shake and disperse into floating pieces. cologne-based musician and artist senking had his debut on karaoke kalk in 1995, since then he has released several records on raster-noton, among others. his productions explore the depths of electronic music, creating an athmosphere of being 100 miles below sea level.

nice price - all tracks written and recorded by gordon sharp and matt kinnison between 2006–2011 at roi vert, okamoto (japan), 13th floor and space eko (london), southend (essex)... mastered at piethopraxis, june 2011. cut by rashad becker at dubplates & mastering, berlin, june 2011. hold everything dear is the third instalment in the new cindytalk sound which started with 2007s the crackle of my soul, and then last years up here in the clouds. its the first in the trilogy to feature musicians other than gordon sharp namely the late matt kinnison, to whom the album is dedicated. inspired by the john berger book of the same name, this latest release is whole new set of parameters which push the sound on the previous two works to an extreme point of abstraction, and in some places near silent passages and haunted melodic segments. and what a mysterious journey this ends up being with increased use of piano and found/field recordings giving all the tracks a blurry soundtrack appeal to the point where the definitions between the tracks are no longer clearly defined. it harks back to the odder parts of in this world and the wind is strong albums from the early 1990s

the new analog solutions 018 , label owned by the spanish producer eduardo de la calle, will be released in may.this time presenting a various artists, by kristina and orbe, that combine an ep with a personal character, full of floating arrangements and inherently techno flavor, but sophisticatedly dub. it seems that the label analog solutions will take refuge next references on collaborations lauching a series of various artists so better to be alert.

this is feline, suara s vinyl only sub-label. a place where coyu pays tribute to the black gold releasing underground local talent. house or techno, techno and house, always raw, always pure. visually is the feline elegance, reflected in the beauty of the motion and the plasticity of its own forms, like a cheetah floating in the savannah. counterpoint to suara, feline goes deeper searching for the purity of the graphic concept and the honesty of the message. our second release see s kresy & skygaze present four techno tracks that are set to ignite dancefloors worldwide over the coming summer months.. vinyl only release..

von den ersten takten des wundervollen so well (mit ihrer freundin und kollegin jessie ware) wird das album durchzogen von einem gefühl der freude. obwohl the invisible auf diesem album neben ware auch mit anna calvi, rosie loew, connan mockasin und sam shepherd (floating points) zusammengearbeitet haben, herrscht vor allem das gefühl der gemeinsamen begeisterung und dem spaß am musikmachen.

von den ersten takten des wundervollen so well (mit ihrer freundin und kollegin jessie ware) wird das album durchzogen von einem gefühl der freude. obwohl the invisible auf diesem album neben ware auch mit anna calvi, rosie loew, connan mockasin und sam shepherd (floating points) zusammengearbeitet haben, herrscht vor allem das gefühl der gemeinsamen begeisterung und dem spaß am musikmachen.

floating away on the melancholic synth and piano arrangement, whilst the straight yet subtle 808 house beat keeps your feet dancing on the line.

ametsub comes to blueberry by way of japan. bubbling exquisitely produced house music brings to mind elements of floating points and jacques greene. no stranger to releasing music, two albums already under his belt ametsub delivers the sky droppin ep. it kicks on the dance floor and delights on headphones. just remarkably produced club tracks.

sasaki hiroaki is a minimal techno/minimal house artist from japan. his label * yotsume-music* has just released its 3rd ep. the 1st ep (recorded in -yone-ko rework-) is highly sought after on dicogs, whilst the new icon ep resembles these floating pads combined with a very tight sound machine rhythm on its four minimal techno and minimal house tracks. a1 * circle* brings a sorrow sound loop whilst a2 * forever* features a hypnotic synth pattern. the b side relies heavily on floating pads with * icon* and brings a dubby, deep sea feeling with b2 *kaii* . all 4 minimal techno/ minimal house tracks!!!

leo martera and riccardo sodi present two power tracks equipped with the right measure of steam and chicago house elements. shame feels like a sunrise with the beams of sonic rays atop of a floating, intense drum track. timeless chicago house ! up woman- is deep, grounded and esoteric, bringing the entire essence of night to the mornin.

scienceofuse is a new electronic music label from ljubljana, slovenia. its purpose is to transmit futuristic frequencies by using the science of creation to transcend percieved limitations. connecting the advances in our culture and technology with the important lessons of visionaries that came before us. the label s first release, -responsible design- by veteran dj and expert knob-twiddler known as electronic badminton king (e.b.king for short) is an acid-tinged affair with a darkish early noughties electro vibe on the a-side, while the flip delivers an abrasive technoid banger coupled with a deeper floating acid cut.

the new release from help presents works from various help-releated artists. another release from the arhus-imprint that doesn’t directly state club-proof, but still, this one wouldn t mind having a spin or two by your local dance pusher.the opening track is by central, a ripe house tune with both melodies and good-vibes - probably the closest this young man has come to making an anthem. next up is the four piece group maizena with an ambiguous rhythmical ambient-house jam from the area of denmark with the least rainfall. on the b-side you’ll find a raw and to the point recording of dj sports and c.k joining ph 1 in his throwback techno-studio in the suburbs of arhus. next up is the long awaited debut from manmade deejay, who has been cooking a floating rhythm jam for this 5 course meal of modern danish cuisine. last but not least amsterdam-based kaap joined central on a fine day at rubber studios to create this dreamy and galloping ride. all in all this genuine piece of wax is filled with local devotion and love from the help-crew. thanks for the support!

kevin arnemann and daan kemps taped artifact label clocks up its fourth release with a three track offering from outlaw rec boss and key part of the italian serendipity club, namely matthew oh. matthew has previously released on his own label and others like side off, and eloquently marries dub, techno and house into smooth and sensuous sonic landscapes. the opening track psycho hub is an atmospheric and spacious roller with dubbed out drums and pads, coupled with incendiary hi hats urging you along. shroud is seven minutes of slick and spaced out deep techno with liquid synths and clacking hits all racing along and making for a frictionless groove that sucks you right in. finally, get in the fridge slows the tempo down and becomes an even more widescreen and roomy roller with suspensory pads, smeared synths and aqueous sonic details that make you feel like you are floating in sound.

electroacoustic experiments and filmic elements define the music that develops instinctively yet irrevocably, a sense of forward motion setting them apart. compositionally minimal, these tracks maximize their inherent potential all the way through to their logical and even illogical end. referencing electronica, ambient, shoegaze and at times modern classical harmonics, monochord builds and unbuilds in a slow heartbeat. introspective and filmic, its quiet and non-confrontational nature makes monochord move in the interzone between various spheres. their music escapes definition and that is its truest definition. its subtle pulse and evocative and drony feel invite and inspire.

loved by the robsoul community for his beats from the streets series, the san jose resident first appeared on the label back in 2012 with a trio of tracks that made up vol.1. two more collections followed and firmly established arturo as one of the labels most exciting talents.a label boss himself, arturo is seen as having helped define what is known as the silicon valley sound. his own blend of beat-laden house infused with elements of soul, funk and disco has seen him become a favourite the of sneak, farina and weeks.arturo rolls out fabels of funk and frolics on the storytelling ep, lead by the low-slung swing and diva sounds of ‘another day’. the pummeling kick drum of ‘deep inside of you’ jumps up and slaps us round the face, followed by the bumping title track with its deep chime and floating flute melody. the final tale in this story is the guitar-licked, bass-slapped wonder of ‘delight’

parallel fourth reference comes from the key artist dominant. into my blood, dominant focus his energies in a mental and twisty voyage. current and sincere techno, really solid. 1995 provides a moment of reflection, emotive techno with a floating progression full of rhythms and melancholic ambients the first remix is from spanish producer tadeo. hypnotic techno from the outer edges of our galaxy combined with an powerfull and lysergic bassline. the second remix is from david att (ex attemporal). he showing us a killer remix with his unmistakable dark style full of character.

faze action return with a brand new 12 inch, teaming up with zimbabwean born zeke manyika to create * mangwana*. sung in zekes native shona, and taking influences from mory kante, south african kwaito to early house, faze action manage to create a record that harks back yet still has a modern and contemporary feel and is set to be the soundtrack to countless festivals and outdoor parties this summer.
the title track is followed by the stunning * chiiko*, featuring zekes vocals enriched by robs cellos with african rhythms floating you away to another tropical world. a vision of panorama turns up the dial with a stunning mix on the flip side. a new bass line adds to some quality keyboard work. finally the brothers deliver are more stripped out dub * paradise 89 mix* tailored for the peak time.

repress . this second release for acronym on the swedish imprint dimensional exploration contains three powerful, almost otherworldly techno cuts that take you on a journey through dark volcanic synth sequences to dreamy pads and soulful synth riffs that has you floating above the clouds. this very limited release is highly recommended if you are in to deep techno.
all tracks written and produced by acronym. mastered by neel at enisslab, rome

this instrumental hip-hop 45 is an ode to the love of jazz fusion and that dusty sound with a handful of tracks recorded from 2013/2015. both of the tracks love fusion & floating were made over the course of three epic days locked in the studio on the mpc 2500. as simiah tells it, “diamonds for me was basically the tipping point to where i could rock new grooves. it was like i had made another mistake, but it was a step in the right direction. new chops and new vibes.”  the cover art is by j byles with the layout by bee. full colour artwork in a sleeve with spine

rekids latest signing peggy gou serves up two subterranean slices of quality with l.i.e.s. producer terekke providing a remix. the south korean artist, who was raised in the uk and now resides in berlin, kick started 2016 for rekids with her art of war release. she now returns to radio slaves imprint with a sequel. jen high boasts a heady bassline whilst quivering synths make way for serene key melodies. ‘when round, they go then deploys robust kicks as ebbing pads join acid licks, before germanys terekke provides a floating rendition comprised of soaring atmospherics and jazzy aesthetics.

nice price deal !!! tim kossman gives his debut on telrae with a vibrant and personal 2-track release. >at the core< makes moves gentle and with poise. tims sound aesthetic is a nice balancing act of tough >vertical sounds< and >horizontal floating< sounds. the tension he creates is breathtaking and to the point, never random. kossman is also good for some surprises, so expect a challenging composition here. >slower than zero< by its title, defines the style of the flipside entirely. meet the other face of tim kossmann, chilled out- slow motion- heavy dub electronica at its best! we totally embrace this song!

nice price deal !!! look for the brightest star at nightfall tonight. it’s easy to find because it’s so bright – brightest star in the sky. once you find it, turn around so that your back is to this bright star and you’ll be facing into the sun’s path. now lie down and look up and imagine that you re falling downwards. everything falls into place at the bottom of the sea. liquid horizons, like watercolor floating out from a brush dipped in water. unfamiliar landscapes, alien air, strange dreams. the brighter the light, the darker the shadow. everything has turned into deep space

crunchy outsider disco thats always been popular with those in the know. getting strong spins through the various iterations of the euro soul scene and strong support from djs like giles peterson & floating points. these are not going to hang about long. lo-fi disco at its finest.

made 10 years ago in only 2 weeks airport west the rev. thorn s debut lp brings the world of easy listening muzak and chilled out disco. it his second release on his very label dreamtime uk, releasing goldie thorn canal life. after being played heavily in melbourne cafes and bbqs, it now due to make waves across the world. romanticly bitter sweet strings with a vintage disco beat, analog synths on an lp journey to heartbreak and back.

we kick off the ep with the original mix that consists of the use of dulcet tones & floating synthetic elements. next, classic house legend brett johnson delivers a floor banger with his groundbreaking remix. and to end, pioneer arthur oskan takes a depth dive into creepy late night space.

a 12 stuffed to the brim with music by c.k & timeman, dj sports, optic & maizena!!! rhythmical ambient house music á la izquierda! on a1 timeman (central) and c.k (of 2 bit crew) pick up the thread of rb02 and can be enjoyed in uninterrupted continous play for a full 22 minute listening experience. a2 is a floating groovy ambient’ish jam by the other half of 2 bit crew, optic. rb’s youngboy dj sports delivers a slowmotion jungle track for a lightweight dancefloor moment on the flipside. b2 is an extended version of the monotonus soft-house-beauty tiny music by the group maizena.

all track are written and produced by alessandro sensini and carlo battistini
tracks description:
a1 - raining: calma opens up with a hypnotic rumbler! snaps and claps take us in, before the eery synths and floating pointesque keys punctuate and a squelqchy, distorted bassline rumbles beneath the surface, making you feel like you re at a party in a haunted church. a2 - cuattro: calma takes us on a tropical trip, with an infectious sun-filled groove looping over incessant layers of beat patterns that weave in and out of the track teasingly, driven along by a banging bass drum to keep you nodding. b1 - mr amarè: calma shows his love for acid house with an epic, ever-evolving influenced roller that blends together nearly every percussion instrument you could ever dream of. crashes, symbals and a cowbell drive it along, underscored by a seriously funky bass line and mysterious vocal sample that emerges halfway through tying it all together nicely. b2 - cuattro /juju & jordash rmx): juju and jordash take over the remix duties for calma. the dutch duo add their deep trademark sunshine inflected beats and sturdy basslines to the already tropical loop, while infusing swirling synths and strings that lead us in and out of the breakdowns and on to a late night, chilled-out dance floor.

muscut presents the first ever vinyl pressing of andrew peklers cue since its original release by kranky in 2007. (under exclusive license from kranky, ltd.)

repress 2016 - lofile records release number three represents the first solo 12inch of marbod, co-founder of lofile. turdus merula is a true declaration of love to the deep and warm sound of housemusic. the four detroit sound inspired tracks, including a remix of thomas stieler, come up with minimalist, romantic and impulsive grooves and combine rawness and beauty. this ep is an awesome deep dance floor bomb. enjoy.

highly recommended. marieu is back on his own imprint enlightened wax after a couple of critically and acclaimed eps on hypercolour.
“ultra thin” is a sure hit dance floor filler manufactured with super catchy funky bites wrapped on heavy rhythms and crunchy 8bit percussion. on the same side, “way out” is a premium hi-energy filtered house anthem.
on the b side, the original mix of “manner” is a mellow deeper cut built on a long spoken word tale floating over hypnotic beats, while the remix of the young talented federico brasi is an acid jacking minimalistic reinterpretation featuring solid vintage flavored drums.

techno pop from the woods of sweden. dark, dreamy and danceable. electronic sounds of drum machines, mellotron, synthesizers, floating and barren landscapes together with the characteristic vocal harmonies of producer duo lokatt. techno tracks influenced by sisters nina & johanna piroths background in the indie pop scene. in may lokatt released their first single the hill, which got great feedback from all around the world. the 27th of november lokatt will be releasing their debut ep, karg (digital and on limited vinyl). the ep will be released on techno producer harald björks label kranglan broadcast together with lokatts label oma gusti records, artwork by stina göthlander.

the original tracks are typical jussi-pekka sounds: deep and floating, funky and minimal yet melodic. and as jussi would say: i take my tongue-in-cheek s extremely seriously!-

one year has passed since the pilotwings’ first output « agorespace ». expectations went further in 2015 as they contributed to the rave-ish j-zbel project. the pair is now back on bfdm with another ode to rurality and old-fashioned analogue. including 4 tracks, « molitor 71 » goes deeper into retrofuturist nostalgia and bucolic mood. a1 31 septembre (on va tout niker) introduces full-on panflute melodies and uplifting korg exotica. as the trancy chicago dream fades out, a2 les invasions babar unveils its weird combo of electro beats and massive patrick cowley-esque synths. unplanned bass moves lead this jam while an undertaking voice calls for no less than « the greatest experience of your life ». things settle down on the nocturnal b1 congo libre. focus on breakbeats and sophisticated rhythms evokes trance beats, while sparkling synths emerge from everywhere. the ep ends up with a floating ambient piece called buruganda ouverture and designed for the listener to rediscover the meaning of his existence. molitor will give you faith in humanity and flutes again.